Westworld’s Unreliable Narrator

Warning: This post contains spoilers for HBO's Westworld.

Related imageWriting an unreliable narrator is something on my writerly bucket list, so my interest is always piqued whenever I come across one. Though if he or she is really well-written, I don’t fully appreciate them until a second watch or read-through. That’s how it was when I watched Westworld.

Westworld’s allure for guests is that the Hosts seem human, and that’s the result of their programming. So no matter how human they act, the staff can still ‘reset’ them back to the beginning of their story loop. That’s what makes Dolores such an interesting unreliable narrator. She doesn’t mean to mislead the audience; it just happens because of her programming.

One story thread Dolores’s presents is travelling with William and his future brother-in-law. She starts off as a damsel and literally falls into William’s arms. But as they progress through their adventure, she becomes more and more of a strong female character. She uses a gun (when before she couldn’t physically pull the trigger), she holds up soldiers at gunpoint, and she even changes from her simple, blue dress into a button-down shirt and pants.

Nothing in Dolores’s behavior makes us think that her change from a passive character to an active one is anything but permanent. But when William discovers Dolores after she’s had her memories erased and has been put back at the beginning of her story loop, both he and us realize that the change–her story arc–was simply part of her programming. She wasn’t exhibiting freewill at all.

The other component of Dolores being an unreliable narrator is her memories. Like all the other Hosts, her memories are supposed to be wiped after she finishes every story loop. The staff considers it a kindness as she won’t remember any of the terrible things done to her. Though it’s also a way for them to ensure that each guest gets the same opportunity to experience the sweet, rancher’s daughter.

Here’s the things about the Hosts’ memories: they’re not like human memories. When a person picks a memory to recall, it’s fuzzy and very obvious that it’s a memory. A Host’s memory is so clear and in-focus that they’re indistinguishable from the present.

Now in theory, a Host’s memories wouldn’t be an issue since they’re always wiped. But a change that Arnold made to Dolores’s programming means she retains those memories.

Dolores travelling with William seems so much like the present–especially with how the scenes are juxtaposed into the rest of the series–that we take what we see as true. That she’s going through this realization of her humanity right now as we watch because there’s no fuzziness that we’d associate with human memory.

Because Dolores can’t distinguish the past from the present, neither can we as the viewer. It’s not until the Man in Black reveals that he is William, albeit older and disillusioned with humanity, that we realize everything we’ve seen in terms of Dolores and William happened decades ago and that she is not the empowered woman that William fell for. That was just her programming. In fact, she’s something else.

Needless to say, the realization that Dolores has been an unreliable narrator for the better part of the ten-episode season is a hell of a twist. It brings up the question of how do we define agency. Is it adhering to what the world wants us to be? Or is it figuring out the world on our own?

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