Warning: This post contains spoilers for season 4 of Sherlock.
This most recent season of Sherlock definitely had some good moments. Mainly when it came to character development. But when it came to story and re-imagining the original short stories, I felt like this season fell flat. Which was a disappointment after the impressive season 3 and the strong The Abominable Bride.
The Six Thatchers
I have mixed feelings about The Six Thatchers. It was a Mary-centered episode, which is always a good thing in my book because I love her character. Plus John and Sherlock’s character development (both with John cheating and Sherlock’s devotion to Mary) were fantastic.
However I had a hard time with how this episode linked to the original cannon. One of the hallmarks of Sherlock is that it re-imagines the original Holmes stories, and this episode was obviously referencing “The Six Napoleons.” But it felt more as a means to an end, as a plot device for Mary’s story. It was a letdown after how well the series did it before, like with The Hound of the Baskervilles and The Empty Hearse.
The Lying Detective
Without a doubt, The Lying Detective was my favorite episode of the season. It had massive stakes–Sherlock’s life was on the line–for John. Should he believe his best friend? Or should he walk away from the man he blamed for Mary’s death? Him imagining her still being there made things even more interesting.
The villain–Culverton Smith–also made the episode memorable. Even though I knew that he was the bad guy and knew that he was a serial killer, I still doubted Sherlock’s deductions. He was too charming. He had too many reasonable explanations. And that was amazing.
The Final Problem
There’s no other way to say it: The Final Problem was over the top. It felt like I was watching a PG-13 version of Saw with all the tasks that Eros forced the Holmes brothers and John to complete. Plus there was the whole “secret, evil sibling” angle that felt like it came from left field, especially Eros’s ability to seemingly hypnotize people.
The saving grace for this episode was the character development. Not so much forJohn apart from cementing that he’s actively trying to do the best that he can. But absolutely for Sherlock and Mycroft. They emerged on the other side as far more human than they’ve ever appeared in the series. I’ll never forget Mycroft burying his face in his hands and turning away when the prison governor was about to be killed. That was my favorite moment.
With how season 4 ended, it’s not absurd to think that this might be the end of Sherlock. I hope that it’s not. And that’s not just because I want to seem more re-imaginings of my favorite Holmes stories, but it’s because there are so many more layers to these characters that are just waiting to be exposed.